Titel : Zanzibara (LP)
Artiest(en) : various
Genre : Vinyl: LPs nieuw
Medium : Vinyl
Jaar : 04-2021
Label : Buda
Zanzibara: First Modern Taarab Vibes From Mombasa & Tanga, 1970-1990, 2x LP
A1. Shakila & Black Star Musical Club – Macho Yanacheka (6:28) 1970
A2. Matano Juma & Morning Star Orchestra – Binti (3:45) 1973
A3. Zuhura & Party – Moyo Usijizuzue (4:02) 1975
A4. Zein Musical Party – Nisaidie Mpenzi (4:34) 1975
B1. Malika & Party – Si Bure Mambo (6:33) 1990
B2. Ali Mkali & Sta Mvita – Mpishi (3:59) 1974
B3. Zuhura & Morning Star Orchestra – Janatu Naimu (5:25) 1973
B4. Maulidi Musical Party – Kabibi (3:34) 1975
C1. Matano Juma & Morning Star Orchestra – Sikitiko (5:09) 1973
C2. Shakila & Lucky Star Musical Club – Mapenzi Yamepungua (5:48) 1973
C3. Zein Musical Party – Ya Fuadi (4:00) 1975
C4. Zuhura & Party – Humvui Alovikwa (3:42) 1975
D1. Mwanahela & Golden Star Musical Club – Chombo (9:20) 1990
D2. Mohammed Mrisho & Black Star Musical Club – Sikio (3:21) 1973
D3. Malika & Party – Manahodha (6:46) 1989
Taarab is a music genre popular in Tanzania and Kenya. It is influenced by the musical traditions of the African Great Lakes, North Africa, the Middle East, and the Indian subcontinent.
In the early 1970s a new taarab emerged in the East African coastal cities of Mombasa and Tanga: In Mombasa, Matano Juma’s Morning Star replaced strings with distorted organ sounds, amplified violin or clarinet; Zuhura Swaleh promoted an electrified tashkota as a major new sound in her band, digging deep in coastal ngoma rhythms and dances. Crossing the border from Kenya to Tanzania, in Tanga, Black Star Musical Club’s electric guitars and dance music rhythms paved the way for a broader audience reception of taarab away from the coastal Swahili towns.
Mombasa was at the forefront of taarab production from the 1960s to the 1990s, thanks in no small measure to the enterprising Mzuri record label. They would not just record and promote Mombasa based artists, but also invite groups from Tanzania like Black Star or Dar es Salaam’s Egyptian Music Club. In the course of the 1970s records were displaced by the cassette and the initiative moved to Mbwana Radio Service in Mombasa’s Old Town, soon the new center of taarab production and distribution. Taarab rose to new heights in the 1980s with the voices and hits by Malika and Golden Star’s Mwanahela.
With the economic and political crisis in Kenya in the early 1990s and the concurrent rise of Dar es Salaam as the new center of music production in East Africa, Mombasa began to fade from its position as the prime taarab center. The early 1990s saw the rise of so-called modern taarab, a new style based on drum machine rhythm, powerful sound systems, and a novel fashion of inciting and insulting lyrics. Nevertheless, the musical innovations of Matano, Zuhura and Black Star opened up new vistas early on; and Malika’s and Golden Star’s lyrics paved the way for what was to come in the 1990s. In recognition of this, taarab from the Mombasa - Tanga era is now affectionately known as “First Modern”.
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